Sunday, March 18, 2012

Lara Balken Response to Dwyer

Media Convergence

The concept of media convergence is often considered to be a greatly progressive step into the future of media production. Certainly, it has drastically reduced the costs of media production through the act of converging – thus eliminating the need for producers to be confined to a single, specific field. However, it has also had a negative impact on many areas of the media, negating various aspects of production and eclipsing certain forms of analogue media in favour of its digital counterpart. Newspapers, for instance, are becoming much less popular than their multimedia, online equivalents, leading to a loss of appreciation for journalism in print. By forming a society embedded in convergent digital media, where the content is shaped as much by the consumer as the producer, we have been led to want more – not only from our technology, but from our lives.

Media convergence has instigated social and cultural change, creating societies semi-reliant on these convergent technologies to live their lives. In some ways, this shift in the cultural norm has had a damaging effect, not only on analogue media, but also on the cultural paradigm. A simple telephone, for example, in becoming a culmination of various media formats, is no longer simply a communications device. While these multi-purpose devices have contributed to creating a more global society, simple human relations have suffered. It is far more likely, in modern society, that communication will be through the form of typed words, as opposed to being instigated over the phone or in person. We can now access material from across the globe no matter where we are, and hold the world at our fingertips – but with our options constantly shifting and expanding, it is easy to become caught up in technological advance and allow the physical world to become somewhat secondary.

No comments:

Post a Comment